lol. of course some shit was to happen again. because that is the origin of spiderman. they did have a different villain and the villain was not a typical villain. he did not die in the end. they literally ended up as buddies with the villain saving parker's life!
lol
this article just landed in my rss feed...
Marc Webb’s ebullient, satisfying The Amazing Spider-Man might leave you with a new attitude about crime-fighting superheroes; it certainly did so for me. They’re becoming like venerable Broadway plays, trotted out with different casts and directors on different occasions, proving themselves surprisingly flexible to new ideas, new stars. You don’t say, “Oh, I’ve already seen Death of a Salesman.” You say, “Philip Seymour Hoffman as Willy Loman? I’ll bite.” (Provided you had the chance while it lasted.)
It so happens that Andrew Garfield, the new Spider-Man, played Biff to Hoffman’s Willy in Mike Nichols’ Death of a Salesman this spring and got great notices. He deserves more of the same for his Peter Parker. The character is young, a senior at Midtown Science High School, and stays the same age throughout. The bony, almost bulbous-nosed Garfield (Never Let Me Go, The Social Network) is 28 in real life, a bit old for high school, but between the lanky physique and puff of hair, he manages a credible teen. He does very well with Peter’s goober tendencies as well as the tenderness Peter feels toward Aunt May (Sally Field) and Uncle Ben (Martin Sheen). This Spider-Man is full of moist sincerity; he’s always tearing up. But Garfield has the edge on Maguire in terms of Peter’s sex appeal, which grows apace — along with his sarcasm — with each street fight won and building scaled. That famous Dunst-Maguire kiss? The Amazing Spider-Man has one just as good, between Peter and his pre–Mary Jane love, high school classmate Gwen Stacy (Emma Stone of The Help and Easy A). Gwen is beautiful, brilliant (she interns at Oscorp) and the daughter of police captain George Stacy (Denis Leary).
The Amazing Spider-Man covers Peter’s bite and subsequent transformation in greater detail, playing off his bafflement about it to fine effect as well as his dawning realization that being part spider is awesome. There’s a nifty scene on a subway car, with Peter apologizing left and right as he discovers his new strength and the challenges of having organic Velcro on his fingertips (he yanks off a woman’s top). How would it be to go from geeky teen who can’t get a date to someone who can move like Mikhail Baryshnikov at
warp speed? Thrilling, and that’s what it looks like. None of this is new to us, but Garfield and Webb make it feel convincingly fresh and exciting.